White Noise
Constant power across all frequencies. Ideal for masking distracting speech.
A quarter of an hour — the standard long break, and a serviceable sprint.
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Calibrated frequencies for deep work and relaxation.
Continuous frequencies for auditory masking.
Constant power across all frequencies. Ideal for masking distracting speech.
Deep, bass-heavy rumble reminiscent of a distant waterfall or thunder.
Balanced spectrum that sounds more natural to the human ear, like steady rain.
Even deeper than Brown noise, focusing heavily on the low-end spectrum.
Near-silence with subtle low-frequency drift. Meditative, like the sound of a quiet room at night.
Psychoacoustically equalized to sound equally loud at every frequency.
Natural soundscapes recorded in high fidelity.
Gentle rainfall creating a natural, soothing atmosphere perfect for deep concentration.
Rainfall on a tent canvas — cozy, immersive and deeply relaxing for focused work.
Rhythmic ocean waves rolling onto shore — a timeless natural soundscape for calm focus.
Steady breeze flowing through open spaces — airy and expansive for clear thinking.
A gentle brook flowing through a quiet forest — peaceful and grounding for deep work.
Birds and insects in a sunlit meadow — warm, organic ambience for relaxed focus.
Brainwave entrainment through stereo frequency offset. Layers with any noise above.
Deep sleep and healing. Ultra-low 2 Hz beat for total relaxation.
Meditation and creativity. 6 Hz beat for deep introspection and flow.
Calm focus and learning. 10 Hz beat for relaxed concentration.
Active thinking and energy. 14 Hz beat for alertness and problem solving.
Fifteen minutes does double duty. It is the usual length of the long break that follows four Pomodoro rounds — enough to properly leave the desk, eat something, walk outside — and it is also the shortest block that most people would call a real work sprint rather than a warm-up.
Which one you are doing changes how you should set it up. As a break, the point is to be away from the screen and the audio should not be pulling you back. As a sprint, the point is coverage, and the audio should be doing real work.
A quarter of an hour is enough for one contained thing: a section of a document, a small bug, a set of exercises, a phone call you have been avoiding. It is not enough for anything requiring a long ramp-up, and trying to use it that way mostly produces the frustration of stopping right as you got somewhere.
The trick is picking the task to fit the box, not the other way round. If you cannot name what will be finished when the timer ends, use a longer block instead — 25 or 45 minutes.
For the long break in a Pomodoro cycle, fifteen minutes is deliberately generous. Four focus rounds is around two hours of concentrated work, and the break exists so the next set does not start from a deficit.
The Pomodoro timer here runs the whole cycle, switches the sound at each phase change and chimes at the transitions, so you do not have to reset anything between rounds.
Yes — the usual recommendation is fifteen to thirty minutes after four focus rounds. Fifteen is the default in the Pomodoro settings here and can be changed to thirty.
Yes, if the task fits it. A quarter of an hour handles one contained job well; anything needing a long ramp-up is better served by 25 or 45 minutes.
The plain timer runs once and stops. If you want repeating cycles with automatic breaks, use the Pomodoro timer instead.