White Noise
Constant power across all frequencies. Ideal for masking distracting speech.
For timed practice papers — set the real limit and sit it properly.
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Calibrated frequencies for deep work and relaxation.
Continuous frequencies for auditory masking.
Constant power across all frequencies. Ideal for masking distracting speech.
Deep, bass-heavy rumble reminiscent of a distant waterfall or thunder.
Balanced spectrum that sounds more natural to the human ear, like steady rain.
Even deeper than Brown noise, focusing heavily on the low-end spectrum.
Near-silence with subtle low-frequency drift. Meditative, like the sound of a quiet room at night.
Psychoacoustically equalized to sound equally loud at every frequency.
Natural soundscapes recorded in high fidelity.
Gentle rainfall creating a natural, soothing atmosphere perfect for deep concentration.
Rainfall on a tent canvas — cozy, immersive and deeply relaxing for focused work.
Rhythmic ocean waves rolling onto shore — a timeless natural soundscape for calm focus.
Steady breeze flowing through open spaces — airy and expansive for clear thinking.
A gentle brook flowing through a quiet forest — peaceful and grounding for deep work.
Birds and insects in a sunlit meadow — warm, organic ambience for relaxed focus.
Brainwave entrainment through stereo frequency offset. Layers with any noise above.
Deep sleep and healing. Ultra-low 2 Hz beat for total relaxation.
Meditation and creativity. 6 Hz beat for deep introspection and flow.
Calm focus and learning. 10 Hz beat for relaxed concentration.
Active thinking and energy. 14 Hz beat for alertness and problem solving.
Working through a past paper over an afternoon tells you whether you know the material. Sitting the same paper in one go, under the real time limit, tells you whether you can produce it under pressure — and those are different skills. Most people who feel prepared and then underperform have practised the first and not the second.
The timing is a substantial part of what an exam tests. Deciding how long to spend on a question, recognising when to abandon one and come back, keeping enough time for the last section: none of that can be rehearsed without a clock that will not wait for you.
Set the timer to the paper’s real length — two hours by default here, adjustable from the presets — and treat it as binding. Everything you would not have in the exam goes elsewhere before you start.
There is a tension here worth naming. Background noise helps you concentrate in a noisy room, but the exam hall will be quiet, and practising in a soundscape you will not have on the day is not ideal preparation.
The reasonable compromise: use audio when the room would otherwise make the practice impossible, and keep it to something with no events in it — pink noise or brown noise rather than rain or birdsong. If your room is quiet enough, sit it in silence. That is the condition you are training for.
Ideally not, since the exam hall will be quiet and you want to practise the real conditions. If your room makes silence impossible, use steady noise with no events in it — pink or brown — rather than rain or birdsong.
Yes. The page starts at two hours; pick any other preset, and the countdown adjusts while keeping any elapsed time.
The plain timer does not. If you want an audible signal partway through, run a shorter timer for the first section and reset it, or use the Pomodoro timer, which chimes at every phase change.